selected publications
selected publications
selected publications
"i-docs in public spaces: Convictions, by Sharon Daniel," an interview with Sandra Gaudenzi on idocs.org. 2013
“Feminisim, Democracy and Participatory Net Works: Sharon Daniel and Natalie Bookchin,” in N.Paradoxa, Volume 32, by Kim Paice. 2013
"On Politics and Aesthetics," in Studies in Documentary Film: iDocs special edition, Volume 6, issue 2, eds. Judith Aston, Jonathan Dovey and Sandra Gaudenzi. 2012
"Argument, Inquiry and Political Narrative," in Database | Narrative | Archive: Seven interactive essays on digital nonlinear storytelling, edited by Matt Soar & Monika Gagnon. 2013
“Palabras,” included in Abécédaire du Web in print and in online exhibition @ nT2. Gold Web'Art Special Prize winner at the International Audiovisual Festival on Museums and Heritage (FIAMP), organized by AVICOM.
Public Secrets published in the Electronic Literature Collection, Volume 2. 2013
“Blood Sugar,” in Vectors Journal, “Memory,” Volume 3, Issue 2. Summer 2012
“Systems and Subjects: Redefining Public Art,” in Context Providers, Victoria Vesna, Margot Lovejoy and Christiane Paul editors, Intellect Press. 2011
“Hybrid Practices” contribution to "In Focus: Digital Scholarship and Pedagogy," in Cinema Journal 48, No. 2, Winter. 2009
“Public Secrets/Secret Publics” in Springerin Magazine, Berlin, Spring. 2008
“Public Secrets,” in Vectors Journal of Culture and Technology in a Dynamic Vernacular, Issue 4, Perception. 2007
“The Database: an Aesthetics of Dignity” in Database Aesthetics, Victoria Vesna, ed. Minnesota University Press. 2007
“The Public Secret: Information and Social Knowledge + empyre forum texts,” in Documenta 12 Magazine Project, section ed. Christina McPhee. 2007
The Public Secret: Information and Social Knowledge,” Intelligent Agent, vol. 6 no. 2, , the NetArt Initiative. 2006
“Improbablevoices.net: An Improbable Monument to Witnessing and the Ethics of Trespass,” Sarai Reader 05 Bare Acts: Tresspassers and Enforcers in Precarious Times published by The Sarai Programme of the Centre for the Study of Developing Societies (CSDS) Delhi, India
From Embodied Property to Disembodied Signs" – from an interview with Smriti Vohra, written by Smriti Vohra, conference rapporteur, in Contested Commons / Trespassing Publics – A Public Record, SARAI. 2005
“Mapping the Database: Trajectories and Perspectives,” co-authored with Karen O’Rourke, Leonardo 37:4, MIT Press. 2004
“Collaborative Systems: evolving databases and the 'conditions of possibility' artificial life models of agency in on-line interactive art,” AI and Society, vol. “Database Aesthetics: Issues of Organization and Category in Online Art,” Springer-Verlag (spring). 2000